In an era of Hollywood defined by bombastic superhero movies, car chases, and explosions, “Dune” stands out for having the courage to take its time. The film is made memorable with solid performances, striking visuals, and a menacing yet beautiful score by Hans Zimmer. However,
Twenty-two minutes into David Lowery’s film, A Ghost Story, Casey Affleck — the bearded and introverted Hollywood signifier of perpetual little brotherhood and purported sexual harassment — stands in obscurity beneath a white sheet of halloweenesque spectrehood. He is dead, a ghost trapped in a
George Romero’s Night of the Living Dead doesn’t seem like much from the outside. It’s a low-budget horror movie with a cast of Romero’s friends and theater semi-pros with a minimal plot, scored by stock music cues, and shot in black and white to save